Tuesday, August 26, 2008
An Absurdist Play
This poem is a pretty fair description of how my day went yesterday. I did leave out the blown head-gasket in my son’s car, and the free coffee I spilled on myself in a grocery store mezzanine while chatting with a friend I hadn’t seen in a year. The title was given to me several days ago when, upon saying something impossible and ridiculous in a straightforward tone to my son (a frequent occurrence), he said, “Living with you is like being in an absurdist play.” A compliment, for sure, and one I’ve been trying to live up to ever since.
An Absurdist Play
The stage isn’t really a stage;
but then again the sky isn’t the sky either,
unless there happens to be a light rain falling,
dripping from a pine or from the edge
of a tall gray building.
Dawn, or at least a suggestion of it.
Reminder: Talk to the person who handles the lighting.
The cast consists of two characters,
who for the entire play alternate between
looking skyward and exchanging helpless glances;
their expressions might indicate the end of the world,
or perhaps the arrival of a space ship,
or, if they happen to be farmers,
concern over the weather.
Note: The actors are to have complete latitude in what,
if anything, their expressions indicate, the type and number
of emotions they wish to convey or feel helpless to prevent;
also, the play can be of any length; it can take a lifetime,
if necessary.
Periodically, someone sleeping in the next room
is awakened by the sound of people laughing;
he looks up and sees how early in the day it is;
the audience is also with him in the room;
poor souls — they would be free to leave,
if there were any exits.
Curtain.
Possibly related link: Theatre of the Absurd.
Updates:
News and Reviews: updated links in a note that mentions an entry about Richard Brautigan’s novel, Dreaming of Babylon, in a Farsi-language blog that included my drawing of Richard Brautigan.
As the Conversation continues, some words are better when they’re misspelled.
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2 comments:
I don't know how capable i am of commenting on the work of a master, but from whatever little i have studied about the Theatre of the Absurd in the capacity of a student of literature, I tried to appreciate this piece . . . I was vaguely reminded of the conversations of the 2 wretches Estragon and Vladmir from Becket's "Waiting for Godot" . . . what struck my fancy the most was the opening stanza . . . and the poet's gradually narrowing down of the sphere is awesome . . . Iwould love to have an entire volume of his works at the earliest!
Thanks. Say, that’s a great idea for a second act . . .
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